Crescendo and Diminuendo
Routine I- Musically, crescendos and diminuendos add drama to the music. On a practical level they help to develop air control, which makes almost everything easier to do on a brass instrument. An “E” scale is used to lay down the basics. A tuner can be a helpful tool and one needs to listen carefully to the pitch as the lack of control of air flow can be disruptive at first.
Routine II– intervals of a third and triads are used to refine the air flow. Remember “Best Sound” is in operation while we are working on all aspects of the trumpet. Pitch and air control are the focus, listen carefully for the best results.
Routine III– 3A is a multi-task exercise in that crescendos are overlapping the lip flexibility of an interval of a third. Extra control will be needed. 3B in “Eb” expands the range in your development of crescendos and diminuendos. For me it is fun to imagine these fragments of exercise happening in a real piece of music. Think context in the music and play with flair!
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Routine V– 3A and 3B continue to expand in range as you play the crescendos and diminuendos. More air will be needed, support the upper notes and you will be developing your high range and “Best Sound” at the same time. Adjust the tempo as needed.
Routine VI– the range has expanded to over an octave and the steady flow of air is important in making the notes just flow out of the trumpet. These exercises demonstrate the importance of air flow and how the control of the air can influence sound, range and endurance.
Routine VIII– Refinement of control is important in soft playing in the upper register. Air support as the air slows to play softly as you ascend in register will make 3A easier to play. 3B is an example of faster moving air involved in support of your high notes. You will find the balance between fast for high and slow for a diminuendo as you finish exercise 3B.